books · Historical Fiction · Science/ Alternative Fiction

Book Review: The Underground Railroad by Colson Whitehead

The Underground Railroad by Colson Whitehead

The Underground Railroad by Colson Whitehead was a deviation from the norm in my reading list. Whitehead takes a solidified past event, and uses fictional elements to create a subversive retelling of pre-Civil War America. The fictionalization creates a dystopian past, where relevant modern-day issues are planted like weeds, showing how those issues and prejudices have thrived into the modern day.

Cora is a strong-willed self-preservationist. She lives on a plantation in Georgia, owned and operated by the Randall family, where her mother and grandmother were also slaves. Cora’s mother Mabel was a runaway slave, getting away from the plantation and never being caught. Cora is haunted by her mother’s decision to abandon her daughter, and by the fact that mother is likely living in the North, free from imprisonment and persecution.

Cora is convinced by a friend to run. They set off in the dead of night, making their way into South Carolina. There they find peace, a happy sanctuary, but it’s later discovered that far worse things are happening to free blacks there. Cora needs to continue to run, because there is a known slave hunter after her.

Each of the states she ends up in poses another threat to her freedom. In South Carolina, though the practices were radically better than Georgia, she finds that doctors are “persuading” young black women to be on birth control or forcing them to terminate pregnancies, showing that an underhanded abuse through sterilization is rampant.

After a close call with her pursuer, Cora ends up in North Carolina, where daily hangings in the town square are a source of entertainment. Cora can hear the clapping from her cell in an abolitionist’s attic. Juxtaposed with South Carolina, where blacks were largely free, or so it seemed, North Carolina appears completely outlandish.

This is the unique quality of the novel. By creating such different circumstances in each state, Whitehead is able to create a story where hangings and public displays of anti-slavery sentiment seem rash, when in reality, this was a rampant practice throughout the south during the pre-Civil War era. By fictionalizing certain elements of the novel, Whitehead turns our understanding of ‘acceptable’ upside down. As the book progresses, the reader is inclined to accept that South Carolina, with its own set of problems, was better. When in reality, none of the places Cora lands in are acceptable for her.

Whitehead created the novel around the idea that the Underground Railroad was just that, a true railroad. In reality, the Underground Railroad was a series of houses. Here, it is similar, although there are stations under houses, where escapees can follow to their next destination. I didn’t find that the railroad concept added much to the story, aside from muddying the waters of ‘then’ and ‘now’ further to show the reader how prevalent these sentiments are.

Overall, I thought the book was thought-provoking and different. It brought certain questions about antebellum America to the surface while stifling others. It also strayed from the typical slave-memoir format, and featured a protagonist who was fearful, but never cowed in the face of fear, which may seem unrealistic. Cora’s determination is palpable, and her journey is one worth following.

books · Historical Fiction

Book Review: The Island of Sea Women by Lisa See

Sometimes, you should judge a book by its cover. This was my favorite book of 2019, and I based my purchase almost entirely on the interesting cover with two old ladies. As I brought the book home, it was a serious underdog, being beat out book after book with others I’d bought and borrowed. Finally, I picked this up last week after buying it at the Tattered Cover Bookstore on vacation in Denver in May. I was not disappointed.

The number of Asian-American coming-of-age books the New York State curriculum force-fed me and my peers in middle and high school (I’m looking at you Joy Luck Club and Memoirs of a Geisha) has conditioned me to avoid Asian literature. I never enjoyed anything that we were told to read. It wasn’t relatable to me and I wrote it off. With the recent resurgence of all different types of multi-cultural fiction, I’ve been trying to diversify the stories I read to incorporate some stuff that might not be the most relatable for me, but is still very worthwhile.

The Island of Sea Women spans pre- World War II and wartime Korea, detailing Korean occupation by the Japanese and by the Allies. Japanese occupation of Korea began in 1910. This story begins with a distinct air of unrest with the Japanese- although there isn’t outright war, the Korean natives stay as far from Japanese insurgents and soldiers as they can.

The body of the story follows two female friends and their journey through life as haenyeo. Haenyeo are female divers who reside on the Korean island of Jeju, where a family living is made primarily by the female mother, who dives into the sea to collect food (primarily seaweed, clams and abalone, but sometimes octopus and larger finds) and other sea life to sell for income. The haenyeo collective is a matriarchal society, one that stands juxtaposed to the male dominated societies of the West, particularly in the 1940s.

First and foremost, I am grateful for having read this book because of what it taught me about Korean history. My grandfather was in the Korean War and I am ashamed to admit I knew close to nothing about the United States’ role in the emancipation of South Korea from Japan and North Korea, never mind anything about Korea itself.

Even better, the story of female friendship between Young-sook and Mi-ja. Mi-ja’s family were Japanese “collaborators” – a term thrown around pretty loosely. Her father worked in a Japanese factory on the Korean mainland. Orphaned at a young age after moving to the island of Jeju with her father, Mi-ja is taken under the wing of Young-sook’s mother, who is the chief of the village diving collective. She teachers the young girls to dive as haenyeo, to provide for their families as true Island women do.

Young-sook and Mi-ja’s lives deviate amidst a backdrop of world war. Mi-ja is arranged to marry a man from a Japanese collaborating family. Her similarities to Young-sook dwindle and Young-sook finds it harder and harder to maintain her sisterhood with Mi-ja.

War strikes the island, bringing tragedy to Young-sook’s family. Her losses are symbolic to her of Mi-ja’s insistence on not helping Young-sook’s family in their time of need. Surely her husband’s political ties could save them all? Her relationship with Mi-ja is never the same.

Haenyeo are known for fortitude, determination and strong will. Young-sook embodies these without apology. It is seen as a benefit for haenyeo to be this way, to endure in the face of adversity, but I think this contributes to Young-sook’s loss of oversight and her inability (or direct negligence) to sympathize with her friend.

There are secrets between Mi-ja and Young-sook that enable them to never understand each other. There is death between them before they can heal their wounds. If Young-sook has been willing and able to embrace her friend in her own lowest time with sympathy rather than judgement, she would have come to easier realizations. Instead she harbors resentments, using her strength of character to put up an impenetrable wall against her friend.

The things lost between them are devastating. In a time when there is infinite loss and terror, two friends are driven further into turmoil, against each other, following societal lines of demarcation.

Lisa See’s novel details the lives of strong, immovable women, women I found to be extremely worthy, laudable, and noble. She highlights, however, how even the most noble can be flawed and can be inhibited from making the best choices as humans, even if they believe they are following an understanding of what’s right.

See’s writing is so enjoyable- like a refreshing dip in the ocean. May we learn from the haenyeo and from these characters something about grit, perseverance, and empathy.

books · Science/ Alternative Fiction

Book Review: The Handmaid’s Tale by Margaret Atwood

There has been a lot of hype around The Handmaid’s Tale lately, particularly in the relativity of this story to modern society and female rights.

My train of contemplation throughout this novel strayed towards human nature: the lack of it, the necessity for it, the justification of it in any and all human societies. What we learn in this novel is that no matter what confines or liberties are put forth to a group of people, or on one person, there is always the uncontrollable element of desire and the inclination towards what is deemed natural.

Nature versus nurture is a long-debated paradox in psychology, but if there was ever a definitive justification for the dominance of nature, it is The Handmaid’s Tale.

Offred is living in the dystopian country of Gilead, where women like her serve one purpose – to reproduce for the family to which they are assigned. Children they bear are not their own, they belong to the “wives” for which they serve.

The society is dominated by archaic rules that condemn women to a life without reading or writing, learning or socializing. Relations between men and women are strictly sexual in scheduled encounters. Though these rules are stringent and the consequences are dire, each character in the novel gives in to their natural desires at some point throughout, giving credence to the idea that although culture can change, human autonomy withstands tests of its strength.

Left wanting more from this novel, I’m looking forward to the sequel that is set to be released in September 2019. I believe that the reasons I’m intrigued, however, resonate with the same inclination towards understanding human nature that the novel surrounds. I have the urge to fit the pieces together and find out how the resolution of conflict plays out in the characters’ lives, rather than a need to understand the potential political upheaval that Atwood creates which could, in our reality, so similarly affect even the most secure of societies.

My interest lies in the humanity- the relationships. Is Offred pregnant? Was her Commander really such a bad guy, or was he primarily good, but drunk with power and circumstance? Does Moira rest on her laurels or continue to fight?

I raced through this book with the constant desire to reach some understanding, I’m not sure of what. I don’t think resolution is really meant to be achieved. This book is not written to make you feel good or resolve fears, but to create them. There is no validation that humanity will will out over any adversity it is faced with. Coming to the close of the story and finding no answers to the great questions of our nature, I moved on, feeling a little deflated and wary of our potential as individuals and as societal beings.

Really interesting and makes me want to have a stern talk with my fiancé about my post-apocalyptic rights.

books · Thriller

Book Review: In a Dark, Dark Wood by Ruth Ware

In a Dark, Dark Wood by Ruth WareIn a Dark, Dark Wood by Ruth Ware was recommended to me a few years ago, and I just got around to reading it. As psychological thrillers go, it was solid. The plot was original- but something just fell flat for me.

Leonora is a 20-something living in London who has just been invited by an old school friend to attend a hen party (i.e. bachelorette for American folk). She’s confused by the invitation, as she hasn’t talked to Clare, the bride, in years. In the interest of being social and showing up for an old friend, Nora agrees to attend. What ensues is not your typical bachelorette party fun, but sinister.

I did not buy the plot of this novel, personally. If I went to a bachelorette party, and people I knew were acting shady and downright conniving, I would immediately be on the offensive. Nora is drawn further into herself, doubting her senses and making it easy for her to be taken advantage of.

All of Nora’s issues seem to stem from Clare- her treatment of Nora years ago, and secrets that will come out in the wash. This is a fun story, regardless of believability.

books · Mystery

Book Review: Miracle Creek by Angie Kim

Oops, I did it again. I got overly excited about a book with rave reviews, a book that’s absolutely blowing up online and on social media, and I got a little let down. Miracle Creek has been #1 on my TBR list for awhile and I’m a little bummed that I wasn’t totally into it. However, there are a lot of redeeming qualities to this book and I did enjoy it! Just maybe not as much as I hoped.

The story follows a family of immigrants from Seoul and a few other key characters as they navigate the aftermath of an explosion and a subsequent murder trial. The Paks own “Miracle Submarine,” a hyperbaric oxygen chamber that is used to treat a variety of medical conditions, including the symptoms of autism, cerebral palsy, and infertility.

Although some consider the oxygen treatment to be “quack” medicine, the Paks are excited to finally be living their American dream and hoping for the success of the future.

The author of the novel, Angie Kim, does an excellent job telling the story from multiple point of views. This writing technique upped the mystery and enticed the reader to understand how the crime possibly could have been committed by multiple characters in the novel. Each POV showed the motivations of a different character. 

Kim’s overarching and triumphant rhetoric on motherhood throughout the story is overwhelmingly troubling, but it’s also raw and shows a masterful understanding of the complexities of being a mother. She taps into the varying emotions of love, unquestioning devotion, but also the moments of weakness that motherhood forces one to confront: pain, hatred, and the occasional desire to be free of the tether of having a child.

Elizabeth’s story, however troubling, elucidates an ever-shamed aspect of motherhood. Her story brings the question of what constitutes abuse to the forefront. In today’s cultural climate, one that simultaneously shames women for breastfeeding but also hinders the rights of women to conceive, raise and treat their children, this story line was eyeopening and necessary.

Elizabeth, the mother of an autistic child, Henry, is accused of his murder. Without physical evidence, the prosecution resorts to attacking the way she has cared for his child over the course of his life. She’s subjected him to alternative therapies for his autism, treatment after treatment, to try to perfect his focus, his speech, his attention to detail, and his behavior itself. Her near-obsessive desire to “fix” Henry becomes the sole argument, the most damning evidence against her – deemed as “unnecessary” and overkill. Henry was getting better, why was she trying to make him perfect?

Elizabeth’s inner debate is fascinating. She questions herself. The conversation stemming from Elizabeth’s plight makes for great food for thought. Although some of the other characters fell a bit flat for me, I thought Kim’s personification of “the mother” through multiple characterizations showed how motherhood is different for everyone, there is no right way to parent, and those that force their opinion on other parents are often doing more harm than good.

books · Mystery

Book Review: The Lost Man by Jane Harper

The Lost Man by Jane Harper, The Lost Man
Three brothers at odds in the Australian Outback.

I was excited to dive into The Lost Man by Jane Harper. It has been awhile since I’ve read something set in the current day, but in a place totally foreign to me.

The Lost Man takes place in the Australian Outback. In my opinion, the description of the setting is the redemption of this novel. Harper’s portrayal of the Outback is unforgiving, labored, and effusive – a fitting parallel for the Australian desert itself.

Uneducated as to the harsh realities of the Outback, I embraced the feeling of imminent danger that the characters could be confronted with at any time as I was reading. In the beginning, the possibilities of the mystery seemed endless and the excitement made me eager to read more.

But other than the rich backdrop, the characters were not convincing or relatable or fun. Or any superlative for that matter.

The Lost Man himself, Cameron Bright, is supposedly a well-liked, all around great guy. He takes a quick (really quick) turn mid-story into a character that, well, pretty much deserved to die. I suddenly felt a lot less eager to find out what happened to him, which isn’t exactly what you strive for with a “who-dun-it.”

I cataloged this in “Mystery.” Because although it is marketed as a psychological thriller, I thought it was very lacking to be categorized that way.

The story is paralleled by the story of another man lost in the Australian wilderness. I found the old legend of “The Stockman’s Grave” to be far more interesting than the story of Cameron’s death: not a great sign.

I wasn’t overly surprised at the ending, I now know way more than I need to know about the exponential dingo population in the Outback, and I officially don’t want to visit because of all the ways I can think for someone to murder me, none of which the author used.

Crikey. The verdict is to kangaroo-hop around this one.

Beach Reads · books · Mystery

Where the Crawdads Sing by Delia Owens – Book Review

Alt= Where the Crawdads Sing

Where the Crawdads Sing by Delia Owens has become a bit of a phenomenon. If you haven’t noticed, rave reviews of the novel are popping up everywhere, and not without good reason. As a reader, and in other facets of my day-to-day life, I tend to not give in to the hype. Rather, I try desperately to resist the hyped-up books, TV shows, and trends, until I eventually give in and admit I was wrong about not believing the hype all along.

Crawdads was on my list, but it was bumped to the top when my Dad chose it for our family book club. The decision was made for me, and I’m glad.

Kya Clark is the “Marsh Girl.” Abandoned by her parents at a young age, one a battered wife, one a drunk, she grows up in a shack on the North Carolina swamp, raising herself beside the gulls and the shellfish.

Kya lives a lonesome existence. The story ebbs and flows like the tides of the marsh, ushering loneliness forth with the tide. The story conveys the state of isolation as reprehensible, and yet the most natural state of being.

Desperate to learn, Kya is taught to read by a local boy, Tate Walker. Tate is a wholesome, selfless character who serves the purpose of loving and caring for Kya above all else. Even when he makes mistakes, Tate is immediately regretful and willing to devote himself completely to making Kya trust him again.

One issue I have with the character development is Tate’s Christ-like goodness.  He’s just too good. Conversely, Kya is extremely untrusting, unwilling to ask for or accept help. Neither is a believable character, TBH.

Humans are social beings, born out of connection and bred for it. With a lack of socialization, Kya’s development parallels the marsh more so than it does her peers in the village. Kya and the marsh are symbiotic. It feeds her, teaches hers to grow and mature in her biology. In turn, she takes care of the gulls, feeds them, nurtures them like her friends. Kya’s love for the marsh is both endearing and heartbreaking.

“Needing people ended in hurt.” Kya learns this as a child of the marsh, and as she grows, she doubles down on this belief. It may be unfortunate, but Kya’s experience teaches her that love disappoints. And hurts. She just does not want to give in to that hurt, which I commend.

The masses are voraciously claiming this book to be fantastic. I say, it’s a great story. I found the ending to be satisfactory based on the distant way Kya developed throughout. Her character comes full circle in the sunset of the novel in a way that I found to be refreshingly true to the character.

books · Mystery

Review: The Thirteenth Tale by Diane Setterfield

I was in a bit of reading slump lately. Everything that I had been picking up was very slow. I was perusing Amazon for new releases when I stumbled on The Thirteenth Tale. Once I realized that Once Upon a River, another novel by Setterfield I’ve been hearing a lot about, won’t be released until the summer, I lost myself in the author bio and took a look at some of Setterfield’s past work. The Thirteenth Tale stood out.

This book was as eerie as described and even more unsettling than I anticipated. Margaret Lea, the daughter of a a bookshop owner, is called upon, unprompted, by famed author Vida Winter to write the legend’s biography.

Vida Winter is notorious for lying to reporters and making up outlandish stories about her past. She has not told (or faced) the truth about her life ever before, but now chooses Margaret to write the truth.

One of my biggest issues with the book was that Ms. Winter seemed way too comfortable with Margaret. For someone who had kept her life a complete secret, she is all too prepared to tell this absolute stranger her full story, without any reasoning for why. In my opinion, Vida’s justification for why she hired Margaret doesn’t explain her comfort with her. I would have expected a closeted person to have more walls up. Still, Vida Winter is a complex and satisfying character. She is a storyteller, and she is determined to make sure she remains as such, even as she is narrating the story of her own life.

Margaret is a far less exciting character. She is the daughter of a bookshop owner (a personal dream) and yet she is somehow able to make even that seem boring. She’s never read a Vida Winter book, but is called upon to bring her character to life, the only known record of the writer’s life. She wouldn’t be my first choice.

Vida Winter reveals her secrets (and some that are not hers to tell) to Margaret. Their developing friendship is heartwarming – one gets the sense neither of them has ever had a true friend.

The underlying theme of the novel is identity. Both characters struggle with it, and not in the traditional “finding yourself” way you see in most novels. Both women are twins. There is A LOT of twin symbolism in this book. Typically I find the twin/psychic telepathy theme to be overplayed, but the layers of originality in the story are too good to be mistaken for poor thematic writing.

Margaret was born with a twin, but she died after a surgery was performed to separate their connected torsos. She has lived the rest of her life with the incessant feeling that there is a piece of herself missing – a feeling that leaves her largely depressed and not all that much of an asset to society. She feels guilt at surviving. She feels lost for surviving. This faceted idea of identity resonated with me. As someone who is largely independent, and yet still has the tug of directions when making decisions, I can’t imagine the feeling of having a missing piece of myself that I feel an allegiance to, an ever-nagging shadow.

The identity crisis goes much further. It’s deep and surprising and gives the book a mysterious, gothic quality.

The crossover between Gothic and Realism is a winner. Diane Setterfield s a great storyteller and I think this is a quality read for those looking for a mystery that isn’t just based in modern-missing-girl-true-crime (looking at you, Girl on the Train). If you want a mystery with edge, a complex story, ghostly hauntings, and good writing – read this!