
The first two novels in the Veronica Speedwell mystery series have been highly entertaining. It’s been a while since I’ve been able to jump into a series that takes place in another time and still feel a connection to the characters.
Historical fiction is unique in that sense. It allows the reader insight into another time by allowing for comparison to be made to the present day without the necessity of direct parallels. On the surface, you would think that I would have little to relate to a 19th century orphan who turns out to be a closeted princess. But Veronica is one of the bluntest, sharpest, and most charismatic female protagonists, particularly of fiction more geared towards Young Adults.
Veronica Speedwell has just buried her aunt when she comes home to a stranger burglarizing her home. It’s no matter for Veronica, who already had plans to leave the family home in search of new adventures, except for the arrival of a stranger whose motive is to help her. The Baron, as he comes to be known, is assured that Veronica is in danger, even though she is quite certain the robbery was random.
He convinces her to travel with him to London. A young, unmarried woman, Veronica isn’t cawed by this proposition in the least. She decides to assuage this kind man’s fears and accompany him. After her arrival in London, the Baron delivers her into the watch of an old friend, Stoker. Veronica isn’t pleased at all to be passed from man to man, especially because she believes herself not to be in danger. But when the Baron is murdered, Veronica and Stoker team up to find out what happened to the Baron.
I saw someone refer to the romance between Stoker and Veronica as a “slow burn” the other day, and boy, is it. Veronica is curt and doesn’t mince her words, telling Stoker her exact thoughts as she thinks them, whether they be inappropriate, worldly, or apt to make him blush. Stoker playfully banters with Veronica as well, but is wholly devoted to protecting her, no matter her insistence of not needing protection. Although the attraction is clearly there, their friendship is paramount, which is comforting to the reader.
Stoker supports Veronica as she comes into new information about herself and is faced with her greatest challenge yet: entering the world of the royal family.
As the second book unfolds, Veronica and Stoker, backdoor detectives, are hired to investigate the murder of a young female artist. Her lover and the father of her unborn baby is set to hang for the crime, so Stoker and Veronica are up against a ticking clock with limited resources. The police seem set on hanging their culprit, although shadowy forces in the background who hire Stoker and Veronica seem less convinced.
This is probably the least plausible aspect of the novels: that two natural scientists (Stoker is a physician and taxidermist and Veronica is a lepidopterist: studier of butterflies) would be hired in any capacity to investigate a murder or stop a hanging. But that’s why it’s fun!
The 19th Century British procedural meets the Jane Austen love story in this series. The protagonists are considered odd, but we know now that they were simply before their time. As such, these books are easy to absorb and the perfect distraction from the now, which is just what I’ve been looking for. Can’t wait to read more!








